The process of bit-depth reduction is also known as "re-quantizing" or "truncating.". There are several other flavors of the 元, including the 元 Ultramaximizer, which looks more like the L2 with a multiband engine under the hood, but no user-control over the different frequency bands. This content is not available in your country. It's not only great for mastering but for tracking and mixing too. i think it is a bit more grungy/edgy sounding than the L2 and ithat can be deliberately abused to add to the flavor of a track. L2 by Waves used to be my go-to Limiter, as I loved that you can adjust the Threshold and Output gain at the same time. You may find this content helpful: To be able to view it. The plugin also features a spreader which you can use to widen the stereo image. Here we’ll guide you through picking the most effective limiter for your music. When mastering, generally the only processing that happens after the limiter is dithering, and most mastering limiters offer dither options. Peaks in the low end are treated the same as those in the midrange and high end. Limiters are used in both mixing and mastering, but for the latter, their primary purpose is to transparently make the audio louder. However, if you’re not comfortable with that much user control, you’re probably better off with another one of the 元 versions.
For example, if you're going to convert your 24-bit mixes to 16-bit for streaming services or CD duplication, you'll need to dither them. This guide will help you determine which type of limiter is right for your song. Another aspect of dithering that you'll come across is called “noise shaping.” It's an additional process that makes the dither even harder for your ears to hear.